It’s a straightforward pairs of comic setpieces: a dinner party and a night out at the Snake Hole have the characters moving away from the Harvest Festival in order to get some time to focus on the characters themselves. Of the first six episodes initially sent to critics, “Indianapolis” is the most subtle. The production hiatus between “Indianapolis” and “Harvest Festival” did nothing to kill the show’s rhythm, once again proving itself one of the most delightful mini-horses on television.Įven if it just looks like a pony to most of America. It’s all remarkably consistent, and all predictably charming given the series’ strong third season. Instead, it relies on moments: moments like Joan losing control over herself at the presence of Li’l Sebastian, or moments like Tom and Ben rekindling their Star Wars battle as if they’ve been having it on a weekly basis since we last spent time in Pawnee. As a result, this review is less likely to run those the episode’s finest jokes, but I don’t think “Harvest Festival” depends on particularly strong one-liners. This is actually the first episode that I’ve watched live, and thus the first episode that I’m reviewing without having watched numerous times. For those of us who have become devotees, however, Parks and Recreation is more than a pony – it is a mini horse, a mini horse which inspires the kind of overwhelming emotions which drive even characters like Ron Swanson and Joan Calamezzo to…well, to lose their shit.Īfter a few weeks off, Parks and Recreation is back with the conclusion of the Harvest Festival arc. For those who don’t know better, it’s just another Office-like NBC comedy, just as Li’l Sebastian appears to be just a pony. Parks and Recreation is like Li’l Sebastian. She was a hero, in truth, in ways that would make sustaining her drive the show’s biggest challenge. We wanted her to succeed not just because we liked her, but also because she was operating with a moral imperative, one so powerful that it could overcome even Ron Swanson’s fundamental disbelief in the value of government. From the very beginning, this was a show that asked the audience to follow an optimistic, hard-working civil servant as she struggled to navigate a world that did not want her to succeed, slowly breaking down the barriers that were placed in front of her. There’s always a lot of discussion about the change that Parks went through after the short first season, but returning to that review-and my collection of reviews from the first three seasons-in light of tonight’s finale made me realize that it didn’t really change at all. Leslie’s heart was always in the right place, but she truly found herself when she found her team to help along the way. It says a lot about the show that now, six years and seven seasons later, “One Last Ride” puts a button on this initial judgment made three episodes into the series’ run. At that point, Parks and Recreation was a show still in search of its identity, existing in The Office’s shadow and week-by-week discovering more about its characters as we were. “Leslie always has her heart in the right place, but just needs some help along the way.”
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